![]() Ke Huy Quan and Michelle Yeoh in Everything, Everywhere, All at Once. ![]() Star Wars tapped into space opera world building that was old even in the 1970’s and today’s trend to explorations of inner-space instead of outer-space began all the way back in 1979 with Octavia Butler’s Kindred, a novel that manages to blend blunt rumination on slavery with uncontrollable personal time travel. The best cinematic science fiction takes inspiration from the most adventurous novels that bleed alternative storytelling ideas into general contemplation. The only surprise is that the film academy thought so too. There comes a time when you need to acknowledge that entertainments aren’t made for you and belong to a new generation. The Matrix is firmly within my times, but it also premiered in shouting distance of a quarter of a century ago. The night’s big winner, an Asian-American hybrid written and directed by Daniel Kwan and Daniel Scheinert is a frenetic mix of modern cinematic tropes vigorously blended with hard, jerking cuts and a torturous narrative line.Īs sci-fi cinema, it has a noble forebear in the first Matrix film, which also used whiplash editing, a high concept story and a bold serving of kung-fu wire work to weave a quirky tale of the digital era. The man who gave us Schindler’s List offered up a Cliff’s Notes version of his life in cinema, a kind of Spielberg’s Shopping List, but its presence on the nominations lists was really more a respectful gesture than earned. Something that’s almost certain to have startled the Hollywood old guard. Its commanding presence at the Oscars podium bounced Stephen Spielberg’s deeply nostalgic biography, The Fabelmans, completely out of contention.
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